Modern meets tradition at the camel races in wadi rum, jordan. A Bedouin rides a camel in a camel race in the desert of Wadi Rum on July 16th, 2009 in South Jordan. Spectators from Jordan and Saudi Arabia follow in their truck the popular traditional bedouin sport. (Photo by Mark Abouzeid/Bedouin Heritage Project)
How do you capture the entire character of a culture that has no written record, has lived for centuries in relative isolation and exists in complete harmony with one of the world’s most extreme environments?
Creando un ponte di pace fondato sulla cultura e comprensione.
Firenze, 13 gennaio 2011 – “Se iniziassimo a vederci come fratelli, tutti impegnati nelle stesse cose e con gli stessi problemi, forse potremmo iniziare a porre fine a questa follia. Noi siamo padri, madri, sorelle, lavoratori, imprenditori, emigranti, amanti e soprattutto, figli… Noi viviamo nel Medio Oriente, e nell’Occidente, nell’Atlantic Avenue o in Edgware Road… Siamo Musulmani, Cristiani, Sikhs, Buddisti, Jews, Druse, Persiani e molti altri…
Fino a quando ci considereremo diversi, le guerre non avranno mai fine. Quando inizieremo a vedere il volto del nostro nemico come quello di un nostro fratello, allora ci potrà essere ancora speranza.”Mark Abouzeid, co-founder BHP
A center spread article by Susannah Glynn emphasizes the importance of the Bedu Culture and highlights steps BHP is taking to help safeguard this intangible heritage.
‘There is so much knowledge bound up in Bedu oral traditions. The Bedu of Petra and Wadi Rum, Jordan, for example, have preserved specific knowledge related to the flora and fauna of the area, traditional medicine, camel husbandry, craftsmanship, and tracking and climbing skills. As well as wanting to preserve this heritage, there is also so much the modern world could learn from ancient knowledge distilled through the generations.’ Mark Abouzeid
As part of the ongoing programme with schools, Mark Abouzeid introduced the Bedouin people of Wadi Rum and the work of BHP to students of the International School of Florence on March 23rd.
The school has monthly assemblies to increase the awareness of students about the world they live in and how they can help.
Abouzeid made two presentations, one to the 9th and 10th grades and another to the 6th and 7th grades.
“I was quite impressed with these children…they were truly interested and asked very insightful questions. It was especially heart warming to have one 6th grade girl ask me how she could follow a career that would let her be involved in such work.” Mark Abouzeid
The Bedouin Heritage Project is proud to announce a photographic exhibit by one of it’s intern photographers, Riccardo Mendez Pastrana, at San Seplocro, Italy.
“Giordania, sulle tracce dei beduini” (“Jordan, on the tracks of the bedouin”).
A series of pictures shot during a visit to the Wadi Rum desert in Jordan in July of 2009 as part of the Bedouin Heritage Project to document bedouin traditions, past and present.
Sala Espositiva del Comune, Palazzo Pretorio, Sansepolcro (AR), Toscana. February 19-28, 2010.
Over the past few weeks, much has been said about the latest bid by archaeologists, government officials and tourism experts to have Wadi Rum admitted to a prestigious group of natural heritage sites named UNESCO.
There can be little question that the protected zone’s unique landscapes, natural rock formations, flora and fauna justify warrant inclusion on the list.
That it remains in question whether the bid should be a single site application or mixed site, including cultural and environmental importance, is surprising.
Experienced real estate agents know that every culture has its own odor that reminds us of home.
In America, home sellers are told to stew apples before potential buyers arrive; in Italy, braising onions has the same effect. These are the scents that take us back to our childhood and help create our sense of comfort, safety and belonging. They are some of the most basic aspects of cultural identity.
In trying to understand any ethnicity, our olfactory senses have great importance…and yet they are invariably ignored by the tools used to represent culture: photos, video, recording, text and art. As foreign entrants, how can we identify and capture this most essential genome in the cultural DNA?
“When a child is born, the father goes into the desert in search of the largest scorpion he can find. The eldest woman slowly cooks the animal in a pan over an open fire until it melts like butter. This salve is massaged into the skin of the baby. The baby gets sick as a consequence of the scorpion venom but not enough to do it harm. I was bitten by a scorpion a few years ago and nothing happened. This is one of the traditional medicines of our people that is being lost.” Attayak